“Anyone who has a problem with GWAR realizes pretty quickly it’s like getting angry about The Simpsons.”
The Replacements/The Rettmans – August 17, 1985
Joe Z. (City Gardens soundman): Randy had this band The Rettmans, and they opened the show. I was in charge of watching the dressing room, so nobody went up the stairs and bothered The Replacements. Before The Rettmans played, Randy said, “We’re going to do something interesting tonight: we’re going to play nothing but Replacements songs.” I thought, well, that’s going to be interesting. The Rettmans go up and play a Replacements song… and then another one. [Replacements frontman] Paul Westerberg comes down from the dressing room, walking real slow, scratching his head, looking at me. He peeked around the stairs and saw them playing, then goes back up. The Rettmans play a few more Replacements songs and then Paul comes down again, but now he’s all pissed off. He said to me, “What are those guys doing?” I said, “I don’t know; they’re playing Replacements songs.” He looked at me and said, “What the fuck am I supposed to play?!”
Ken Hinchey (City Gardens regular): Bob [Stinson, Replacements guitarist] was onstage wearing a housecoat, and when he bent over you could see everything hanging and dangling.
Randy Now: He used to wear a diaper a lot too, although he never did that at City Gardens. When they played down south, they would wear make-up, just to piss people off.
Ken Hinchey: During the “drunk shows,” they would take requests, and everyone would yell out songs. Paul Westerberg would yell out, “Give me a band that starts with a k!” Someone would yell, “The Knack!” and they’d play “My Sharona.” Most people yelled for Replacements songs or classic rock, but one time I yelled out “Ghostbusters!” Paul looked over at me and chuckled.
Bad Brains/Leeway – August 6th, 1989
Rob Vitale (Black Train Jack): Leeway had played CBGB and the next show was at City Gardens. [Leeway’s] Eddie came out with this sign that said, “Trenton or Bust.” And then the Bad Brains come on and out comes [Bad Brains frontman] HR with the same sign: Trenton or Bust.
Steven DiLodovico (author): Hottest show ever. EVER. To this day people still talk about how goddamn hot that show was.
Jamie Davis (City Gardens regular): Bad Brains only played about five songs because the power kept going out. It was so hot in there that the power would blow out. Leeway was amazing. The best part about Leeway was that the bouncers were all outside and everyone realized it, and everyone was stagediving like crazy through the whole Leeway set. There were so many people outside trying to get in, so that’s where all the bouncers were. Everyone was going nuts. Leeway blew them away, anyway. The Bad Brains came on late, played, like, two songs, said it was too hot, and stopped.
“I feel like writing this book has been the culmination of a lifelong love affair with ska music. It hasn’t always been easy, particularly when I first started, but once I found my footing it’s been one of the most satisfying creative experiences of my life. Getting to write about what I love and talk to people about our shared love for ska music has been amazing. Most of the time it hasn’t felt like work. I’ve felt blessed and grateful that I’ve been given the chance to do this. “
DiWulf Publishing House has made its primary mission to document and celebrate subculture in its many forms. One of the most important facets of the punk and hardcore DIY scene has always been the proliferation of the fanzine. In fact, the ‘zine represents the ultimate expression of true independent publishing, one of the founding principles for us here at DiWulf. In a time when no established, “respectable” publications would cover underground scenes, the fanzine was there to broadcast and inform and, most importantly, to inspire. It was the most important part of underground music in terms of communication and information and it was a very powerful tool for kids who would otherwise be voiceless. It can not be overstated how important ‘zine culture is and was to the underground movement, and it is something that is very close to our hearts, and, naturally, we wanted to represent what a huge influence ‘zines were to us both personally and as authors and publishers.
And now DiWulf presents its own ode to ‘zine culture: a retrospective anthology of the seminal NY/NJ/PA ‘zine Hard Times. Tentatively scheduled for an early-2019 release, the as-yet-untitled anthology will contain all seven issues that were published, as well as the long-lost and never-published eighth issue, which featured Government Issue frontman John Stabb on the cover. Included in the book will be all original interviews along with record, ‘zine, and show reviews, scene reports, political commentary, and some really great photography from Hard Times creator and publisher Ron Gregorio. Hard Times was a glossy black and white printed ‘zine that ran from 1984-1985 and covered some of the biggest names in punk and hardcore history.
Hard Times was also a starting point for DiWulf Publishing House co-founder and author of No Slam Dancing, No Stage Diving, No Spikes: An Oral History of the legendary City Gardens Amy Yates Wuelfing. Amy’s presence is featured throughout Hard Times’ life span and her interviews and reviews are a creatively intimate look into her young career as a writer and historian. While the Hard Times anthology will surely spark waves of nostalgia for any east coast punk from the ‘80s, it will also serve as a reminder of the exuberance of youth and a cultural barometer for what was happening in ’84 and ’85.
Included in the features are several interviews with punk and hardcore luminaries like Samhain, Cause For Alarm, Jello Biafra, Ian MacKaye, Butthole Surfers, U.K. Subs, Flipper, The Meatmen, John Lydon, Circle Jerks, The Replacements, and many more.
We will be bringing you all the information as this project moves forward right here on our website, as well as all release date and pre-sale information as it becomes available. We also have a few cool surprises we are working on to go with the book and may even have a few old, original issues of Hard Times stashed away in the DiWulf basement…
We cannot express how excited we are about this book; it is a true labor of love, and it will be something that will add just another small piece to the rich history of the punk and hardcore subculture.