Randy also had that annoying habit of talking over the PA from the sound booth while we played. Hey Randy, did we ever go out on your mail route and hand out priority letters? I think not!
Randy Now: This was before With Sympathy came out… before they signed with Arista even. I got their first 12” single called “I’m Falling” from [DJ subscription service] Rockpool. I found my copy of it recently and saw that I had written “Patty” on it, and a phone number. That must have been Patty Jourgensen, his wife, who was also his manager.
Al Jourgensen (Ministry): This was before the With Sympathy nightmare started. We had a nickname for Randy: Goofy Grape, after the Kool-Aid character from the ‘60s. We called him that because he always had a big old smile on his face, even as the owner of the club was yelling at him. He had to deal with so many egos in so many bands. Randy was in over his head, man. But he would just grin and bear it. City Gardens was like CBGB West. In the middle of Bumfuck, Nowhere, this club springs out of the woods. City Gardens was like a mirage. You come out of the woods in Jersey, and all of the sudden there’s these lights and this big parking lot, and everyone played there. If you were anyone, you played there. You’d drive through woods and forest, and then Goofy Grape would be there to greet us. In New York, we played the Peppermint Lounge and some other club, so we had to be there a week. We lived at the Iroquois Hotel, seven of us in one room, because it was cheap and the only thing we could afford. For food, we would go over to Times Square where this movie theater would throw out their stale popcorn. We would take 50-pound bags of popcorn back to the hotel to eat for the whole week. This was not glamorous, trust me. You must tell people this! It’s not glamorous, sharing a hotel room with seven people… seven stinky people in a van, playing shithole clubs. City Gardens was a haven for us. We always sold it out. Other places, 50 scraggly looking people would show up, and we’d be in the van eating stale popcorn. City Gardens was a complete fire hazard. I got electrocuted there. I never got shocked so bad. I went up, plugged in my guitar, went to the mic to sing, touched it with my lips, and got thrown back six feet. I passed out and they were deciding whether to call the paramedics, and then I woke up and yelled at Randy. In 1977, I had a band called Slayer in Colorado, where I went to college. It was originally Reign Slayer, but I made them drop the Reign. We would play three sets a night, mostly covers, Aerosmith and the like. You would barely be able to get away with a couple of original songs without people throwing stuff at you. Like, beer and fruit or whatever. And bands had to be brave, because we didn’t know if clubs were going to pay us! We’d show up, and it would be touch and go, and we’d hope that they would pay us so we could get the hell out of there. But Randy always hooked us up.
The following excerpt is taken from “No Slam Dancing, No Stage Diving, No Spikes: An Oral History of the Legendary City Gardens” by Amy Yates Wuelfing and Steven DiLodovico
Bad Religion/ALL/Vision/Shades Apart – June 29, 1990
Dave Franklin (Vision, vocals): Shades Apart opened up, then we went on, then ALL, and then Bad Religion. The night before Shades Apart opened for Bad Religion at the [punk club] Anthrax in Connecticut. I went up with the Shades Apart guys to see Bad Religion, and there were maybe 150 people there, 200 tops. I was hanging out talking to [Bad Religion’s] Brett Gurewitz and Greg Hetson, and they were both like, “Man, I thought we were a little bit bigger on the East Coast.” And I was like, “This is kind of a weird place.” I mean, it was a great place to play—totally cool people—but was hit-or-miss. I said, “Tomorrow night in Trenton, at City Gardens, the show is going to be off the charts.” When the next night came and we pulled into City Gardens, there was already a line around the building. Then the Bad Religion guys pulled up in their van. The first thing Brett said to me was, “You weren’t kidding!” The place was already sold out.
Peter Tabbot (Vision, guitar): This was another amazing City Gardens show. Bad Religion are/were…well…BAD RELIGION. One of my favorite bands, and we were all so psyched to share a stage with them in Trenton. They had pretty much come back from the dead just a couple of years before with the release of Suffer and No Control. This may have been their Against the Grain tour, and they had totally reestablished themselves as the smartest, best punk-rock band around. ALL just had a release or two out at the time, I think, and they were still kind of riding the coattails of The Descendents popularity while generating their own fan base with their kind of prog-punk melodic style. But they were definitely a good draw on their own. With us and Shades Apart, even though we were local bands, we both had a significant following. The show was packed. I would never, ever throw my band into a conversation about the great shows you would catch routinely at City Gardens, but objectively, it was a pretty good bill in 1990. It was typical of what Randy would do: four bands, each of whom has a significant audience psyched to see them for $7 or $8. Randy would put that together every single weekend, for seemingly years on end. You’d get two, three, or even four national touring acts on the same bill, and then the next night you’d get another fantastic show. Maybe it would be hardcore/metal one night, and then punk/indie the next night, but always amazing shows for just a few bucks. What I remember most about shows like this Bad Religion show at City Gardens [is that] you knew a fair number of the people. And you often went to whatever shows were happening on the weekend, even if it wasn’t a band or style that you closely identified with. A place where you knew the bouncers and the bartenders. I would imagine that this happened, to a lesser degree, at places like CBGB or The Ritz in New York, but those places didn’t have that same feeling. As large as City Gardens was, and as many people as you’d see there for bigger shows, it always felt like someone was having a great show in your backyard. That is, if your backyard happened to be the bowels of Trenton. This show is a really good example of Randy pairing great national acts with some pretty decent local bands.
Scott Reynolds (ALL, vocals): I remember the stage smelled like puke all the time. We’d come in and load in and every time we’d be like, “God, it smells like puke up here!” I mean it was really, really strong. It was really gross, and you could smell it while you were playing. It was part of the charm, I guess.
Dave Franklin: That was a great show. I recall I was in back bar and the Shades Apart had just finished. The crew was setting up Vision’s equipment, and [Vision bassist] Kevin was there with his brother and a bunch of other people I knew. I wasn’t in the conversation, but I was probably three or four people away from the conversation, and I could hear Kevin saying, “Wait ‘til Vision goes on, this place is gonna’ go CRAZY!” And sure enough, we went on and the place just went absolutely crazy. Blink of an Eye was out, and we were already like the house band. Everybody knew our songs and went nuts! Bad Religion and ALL were amazed by the crowd.
Scott Reynolds: That was always one of my favorite places to play. We had big shows there.
Jeremy Weiss (City Gardens regular): The show was sold out. This is a true story: I was a very resourceful kid. I knew how [clubs] worked because I’d started booking shows, and I knew back then that bouncers would just as soon check IDs at the local bars as they would at City Gardens. I also knew they were susceptible to bribes. So, I walked around the back, I knocked on the door, and this towering individual popped his head out and said, “What?” I said, “I’ll give you $100 to let us in.” He didn’t say one word, nodded, put his hand out. I gave him $100 and me and four of my friends jetted right into the show while 275 other people stood out front, bummed out. We got into that show and were completely blown away. It was so packed that it was raining inside the club.
Scott Foster (1124 Records): I caught just about every ALL show that came through there. They were one of my favorites. That night we were waiting in line outside, and I saw some guys playing catch with a baseball. One of the guys missed it and the ball rolled over to me, so I picked it up, and, when I went to give it back to him, I realized it was [ALL’s] Karl [Alvarez] and Scott [Reynolds] playing catch. Karl said, “You wanna take over for a second?” and he gave me his glove. I played catch with Scott Reynolds for ten minutes while Karl did something else.
Author Freddy Alva will be appearing at Randy Now's Mancave in Bordentown, NJ on Sunday January 14th to sign copies of his new book Urban Styles: Graffiti in New York Hardcore. Freddy will also be part of a panel discussion about New York Hardcore history, graffiti, subculture, and will participate in a Q & A with legendary NY writers SMOG RIS, FCEE, and JERE DMS. Panel will be moderated by DiWulf co-founder and author Steve DiLodovico.
Randy Now's Mancave, a Bordentown staple, is owned and run by New Jersey's most well-known music promoter, Randy "Now" Ellis. Randy's history with music is a long and storied one that has been chronicled in a book: No Slam Dancing, No Stage Diving, No Spikes: An Oral History of the Legendary City Gardens as well as a documentary film: Riot on the Dance Floor. His shop is an emporium of collectibles, records, books, films, and a whole lot of general wackiness. It has become a favorite among the collectors' community since it opened.
Urban Styles: Graffiti in New York Hardcore is a gritty and vibrant history of art and music colliding in the underground NYHC scene of the '80s. Told through strikingly visual photos and interviews from the artists and writers who lived it, Urban Styles tells of a mostly-unknown cross-section of subculture that could only have happened in New York. Elements of graffiti, hip-hop culture, skateboard culture, and, of course, NYHC are all seen intersecting in a wild randomness that flourished in a pre-internet world. Featuring art and interviews from such NYHC giants as Mackie Jayson (Cro Mags, Bad Brains, Leeway), Chaka Malik (Burn, Orange 9mm), LORD EZEC aka Danny Diablo, HOYA ROC (Madball, Dmize), Sacha Jenkins (Mass Appeal editor and member of NYHC outfit The Wilding Incident), Gavin Van Vlack (Absolution, Burn, DIE 116), legendary Absolution frontman Djinji DRUMS Brown, Sergio DEEM Vega (Quicksand, Deftones), and many more
Freddy will also have a limited number of specially-made CBGB prints from artist Andrew Monserrate (whose work is featured in Urban Styles) for sale with copies of Urban Styles.
Andrew is featured in the "artists'" section of Urban Styles, and he has graciously created these one-of-a-kind prints to commemorate the release of Urban Styles and to celebrate the vibrant art scene that came out of the New York Hardcore scene in the '80s. Andrew's prints are limited to a first-come first-served basis and will last as long as supplies hold out.
This event is free and open to the public and starts at 1pm on Sunday January 14th. Randy Now's Mancave 134 Farnsworth Ave Bordentown NJ 08505. For more information check out the official facebook event page.