The DiWulf Family of Authors
The DiWulf family is far-reaching and very interconnected. We feature a group of authors whose work we believe to be crucial to the preservation of subculture. But, more than that, the authors who have joined our family are close friends; people we respect deeply and with whom we have very strong bonds of friendship. Just like the community that raised us, we believe in people, not products. We only work with those who get what we are trying to do and, in many cases, we have ongoing, working relatiohips with these writers. Read more about our friends below:
Born and raised in Columbus, Ohio, Angela Boatwright picked up a camera at age 14 and hasn’t stopped shooting since. Cutting her teeth photographing her skater friends, she quickly began shooting live punk, metal, and hardcore bands, too—including photographing Kurt Cobain in a closet-sized venue in 1991.
After high school, Angela wasted no time in splitting for New York City where she spent the next 20 years looking through the viewfinder. There, Angela continued shooting bands, now at such legendary venues as CBGB’s and Wetlands. Still immersed in that world, she also photographed skateboarders—many of whom appeared in Larry Clark’s Kids.
Soon after arriving, her reputation already growing, Angela evolved from enthusiastic amateur to professional photographer, and in 1997 she quit her day job to shoot photos full time. Her first photo assignment was for Thrasher , the legendary skateboard magazine. It was also at this time that she began working at the Brooklyn-based graffiti magazine Mass Appeal, first as a photographer and eventually photo editor and special projects editor. Since then, her work has appeared in a wide array of publications including New York Magazine, Vice, Nylon, Vibe, and Dazed and Confused, as well as in books such as Vice Photo Book, Definition: The Art and Design of Hip Hop, Juxtapoz Photo, Street World, and most recently Skin Graff: Masters of Graffiti Tattoo. She has also photographed campaigns for Roxy, Urban Outfitters, American Express, and Vans.
After almost two decades in New York, Angela moved to Los Angeles in 2012 where she began making documentary films. Her first full-length documentary, entitled Los Punks; We Are All We Have, premiered at SlamDance Film Festival in Park City, Utah in January, 2016 and garnered praise from outlets such as The Los Angeles Times, The New York Times, and Variety.
Angela recently directed and produced a short for Red Bull, worked as a music consultant for Anthony Bourdain: Parts Unknown (Season 9 Ep. 2), and is currently directing and producing a series titled Metal Saves for Revolver magazine. She’s knee-deep into her second full-length documentary about the ever-illusive fans of legendary clown-rappers Insane Clown Posse, and is putting together an extensive photo book featuring the backyard punk scene in East L.A. and South Central.
Nancy Petriello Barile
Nancy Petriello Barile was born and raised in Norristown, PA, a small suburb outside of Philadelphia. A descendant of Ben Franklin, Nancy's rebellion began at an early age by questioning the strict authority imposed on her by her Catholic School education. It didn't take long for those rebellious seeds to find an outlet: music. Nancy's life in music began at an early age with the discovery of glam and proto-punk artists like Bowie, Roxy Music, Patti Smith, and TRex, among many others. It didn't take long for Nancy to realize that music was her calling, and she began her musical education by traveling to Philly for concerts and shows. As punk rock began to explode around her in the late-'70s, Nancy found a home in the nonconformist world that was opening up before her. Not being one to just sit on the sidelines, Nancy soon found herself making fast friends with the local punks who were just starting to come together to form the foundation of the early Philly punk rock scene. Soon she was managing her good friends in the local Philly band Sadistic Exploits, booking them into places like The Omni in Philly and A7 and CBGB's in New York. Nancy jumped in with both feet, determined to contribute and participate as much as anyone else, and she saw no reason why she couldn't. She was booking bands at places like the Elk Center in Philadelphia, and, with the help of some of the other pioneers in the Philly punk scene, Nancy orchestrated Punk Fests I, Philly's first all-ages purely punk festival. She refused to allow anyone to limit her in any way.
One of the turning points in Nancy's life came when she met the guitarist from the Boston hardcore powerhouse SS Decontrol. Through the old-fashioned punk staple of expensive, long-distance phone calls (punk rock's DIY methods of avoiding long distance charges made the calls possible), she forged an instant relationship with Al Barile, and the bond between the two of them became stronger despite the distance. It didn't take long for Nancy to decide she was all in, and she soon moved to Boston. She and Al married and, as the years went by, Nancy's dedications shifted; she had become a teacher and found a new kind of empowerment in guiding young students using the lessons that the early days of punk and hardcore had taught her.
These days, Nancy is an accomplished and highly lauded teacher in the town of Revere, MA. She has written for astute publications such as Huffington Post, Scholastic Inc., and the Center for Teaching Quality, among others. Nancy has also been acknowledged for some of the amazing work she's done as a teacher by the Varkey Foundation (she was a top 50 finalist for the Global Teacher Prize); she was a two-time finalist for Massachusetts Teacher of the Year Award; she was awarded the Massachusetts Commonwealth Award in Creative Leadership in 2011, and in 2013, she was awarded the Kennedy Center/Stephen Sondheim Inspirational Teacher Award. Nancy credits her success in the classroom working with kids in a low-income, urban, multi-cultural high school to her beginnings in the punk rock scene. Her experiences as being one of the first women in the Philadelphia punk rock scene gave her the tools to later connect with kids who would most often be considered "outsiders," and to help impact their lives in positive ways.
Nancy still resides in Revere and is still married to Al. Hold My Coat? Not in Philly is her first book.
Marc Wasserman has the unique distinction of co-founding the first ska/reggae band from New Jersey: Bigger Thomas. The band, once known as Panic!, called the Trenton, NJ punk club City Gardens home. Bigger Thomas played shows from Boston to Washington, DC and released four albums of 2-Tone inspired ska and reggae. In 1991 they toured with legendary ska outfit The Selecter. It was after discovering the New York ska scene of the mid-‘80s and attending shows at CBGB's, The Continental, and the Cat Club that Marc realized his love of ska and reggae was to be the path he would follow. A student of the genre and its multifaceted history, Marc instinctively took to music at an early age. His informal education started with classic albums by The Beatles, Herb Alpert and his Tijuana Brass Band, Tony Orlando & Dawn, and The 5th Dimension; sounds inherited from his parents’ music collection. He heard The Specials first self-titled album when he was 14 and it was love at first listen. He was drawn to the band's unique mix of punk energy and ska rhythms, their outsider status, and their fashion sense. He quickly became a fan of 2-Tone ska; early UB40, Steel Pulse, The Clash, reggae, and all the new wave music of the early ‘80s. After reading that Paul Simonon of The Clash had taught himself to play bass, Marc picked up a cheap 4-stringer from a Sears catalog and followed suit. In 2014 Marc co-founded Rude Boy George; a New York-based band that re-imagines popular ‘80s new wave songs in a ska and reggae style. The band has recorded two albums and regularly performs around the NY Metro area. He is also a member of dub pop trio Heavensbee, an original studio music project that takes its inspiration from ska, dub, reggae, ‘80s new wave, and electronica. The band has recorded one album: Soul Mates, that was released on Specialized Records in the U.K. Marc also writes the popular ska blog Marco On The Bass, which is the foundation of his documentation and research on the origins and birth of the American ska scene. Marc’s first book is a collection of essays and interviews that tell the history of the American ska movement and it is a study of the culture's impact and influence on a burgeoning American scene.
Amy Yates Wuelfing
Amy Yates Wuelfing is an OG punk rock chick. She began her writing career penning interviews for and co-publishing the seminal Hard Times 'zine in the '80s. A Temple University grad, Amy spent more than years collecting stories and interviews about a beloved Trenton, NJ dive called City Gardens. This painstaking project culminated in the publication of her first book: No Slam Dancing, No Stage Diving, No Spikes: An Oral History of the Legendary City Gardens. After years of rejection from the mainstream publishing world, Amy, along with No Slam Dancing co-author Steven DiLodovico, formed DiWulf Publishing House using the DIY ethos instilled from years on the punk scene. Amy has appeared on The Daily Show with Jon Stewart and served as a producer on the documentary film Riot on the Dance Floor. She once punched Bruce from Flipper right in the nuts. Today Amy spends her time being the head honcho at DiWulf and rescuing cats.
Steven DiLodovico is a hardcore kid from Philadelphia who was living a life of dissolution until he was rescued by Amy Yates Wuelfing. He has been writing since he was a child and never really wanted to do anything but go to shows. He co-authored No Slam Dancing, No Stage Diving, No Spikes: An Oral History of the Legendary City Gardens with Amy Yates Wuelfing (whom he often calls his "other" wife) and also co-founded DiWulf Publishing House with Amy. Steve is married to Pookie and they have two lovely cats.
Freddy Alva is a New York-based author who considers himself lucky to have grown up during the early 1980s; a decade that spawned a multitude of subcultures that helped shape him as an artist. Graffiti art and hardcore music, in particular, left a lasting impression on him, and still inform his work to this day. Freddy was very active in the DIY culture of hardcore from the outset; he was a fixture at such venerated venues as CBGB during the heyday of their Sunday matinees. Along with friend and fellow NYHC stalwart Chaka Malik, Freddy covered the music scene through his fanzine New Breed and eventually released a well-known and highly revered compilation cassette that featured some of the most influential bands of the time, The New Breed Comp. A recent documentary sharing the same name has been released to critical acclaim. Freddy was instrumental in running Wardance Records, booking shows at Abc No Rio club, and being a part of the independent Reconstruction Records collective. The Queens native has been immersed in subculture for most of his life and has forged a niche by documenting as much of it as he can through independent outlets. His work in film, music, and outsider art is unending and his dedication to preserving the histories of the subcultures that raised him is what drives his creative force.
Freddy is currently a licensed acupuncturist as well as a freelance music writer. His articles have appeared in Noisey/Vice, No Echo, Cvlt Nation, In Effect, and various print publications. He is a lifelong borough of Queens loyalist, Tai Chi practitioner, a Speed Chess aficionado, and a veggie food lover. Urban Styles: Graffiti in NYHC is his first book and it documents the collusion of two celebrated and uniquely New York subcultures: urban graffiti art and its fundamental influence on the New York hardcore music scene Urban Styles is a logical extension of Freddy’s quest to shine a spotlight on heretofore unknown and underappreciated aspects of social movement and youth culture. Urban Styles: Graffiti in New York Hardcore is published by DiWulf Publishing House.